Whether it’s a cozy mystery or a blood-soaked noir you’re writing (and/or reading), it all starts here: with relationships.
Why is that? One reason is that relationships mean conflict.
And conflict is the red blood coursing through the body of any good crime fiction.
Do you agree? How do you leverage this in your stories and books? What are great examples you’ve read that we can all learn from? How do you use this in your marketing?
Join us for a Zoom meeting on Saturday 10 February 2024 beginning at 11 a.m. MT.
Sign up on Eventbrite so that we can send you the Zoom link securely.
Image cropped from: “- Here, Eudoxie, take my bear skin… since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it… This way I have at least the satisfaction of seeing it from time to time” by Honoré Daumier